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Edwin Holgate was a Canadian painter, printmaker, and engraver known for his portraits, nudes, and landscape paintings. Born in Allandale, Ontario, on August 19, 1892, he moved to Montreal during his youth. He began his formal art training at the Art Association of Montreal, where he studied under William Brymner from 1905 to 1912. Seeking further international experience, Holgate moved to Paris in 1912. He enrolled at the Académie Colarossi, where he refined his technical skills in drawing and painting before returning to Canada at the onset of the First World War.

Upon his return to Montreal in the 1920s, Holgate became an integral figure in the local art scene. He was a founding member of the Beaver Hall Group in 1920, an organization that sought to promote a modern approach to Canadian art. During this decade, he traveled extensively, including trips to British Columbia in 1926 and 1927. These travels resulted in a series of works depicting the Gitksan people, documenting the cultural landscapes and figures with an emphasis on structure and form.

In 1930, Holgate was invited to join the Group of Seven, becoming the only member based in Quebec. Throughout the 1930s, he balanced his studio practice with a teaching position at the Art Association of Montreal School of Art, where he served as an instructor until 1940. During the Second World War, Holgate served as an official war artist for the Royal Canadian Air Force. His wartime output included portraits and documentation of military life and activities.

Holgate was elected to the Royal Canadian Academy of Arts (RCA) in 1935. Throughout his later years, he continued to paint portraits and landscapes, maintaining a consistent style characterized by clear lines and balanced compositions. Edwin Holgate died in Montreal in 1977. His work is held in the permanent collections of major public institutions, including the National Gallery of Canada, the Musée national des beaux-arts du Québec, and the Art Gallery of Ontario.